{"id":9432,"date":"2024-08-29T12:09:08","date_gmt":"2024-08-29T10:09:08","guid":{"rendered":"https:\/\/teatrtrue.pl\/?page_id=9432"},"modified":"2026-02-20T11:11:43","modified_gmt":"2026-02-20T10:11:43","slug":"warsztat-szkoleniowy-laboratorium","status":"publish","type":"page","link":"https:\/\/teatrtrue.pl\/?page_id=9432","title":{"rendered":"WARSZTAT SZKOLENIOWY\/LABORATORIUM"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"9432\" class=\"elementor elementor-9432\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c5393f7 e-flex e-con-boxed e-con e-parent\" data-id=\"c5393f7\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-106e229 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"106e229\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 11-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h5 style=\"text-align: center;\"><b>MASZYNA IDIOSENSORYCZNA W PRAKTYCE TA\u0143CA, CHOREOGRAFII I TERAPII LABORATORIUM IDIOM\u00d3W RUCHU I RYTMU TANCERZA Z NIEPE\u0141NOSPRAWNO\u015aCI\u0104<\/b><\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6db55c0 e-con-full e-flex e-con e-parent\" data-id=\"6db55c0\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-aa00d72 e-con-full e-flex e-con e-child\" data-id=\"aa00d72\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6f8650c elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"6f8650c\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>1.<b>IDEA LABORATORIUM<\/b><\/p><p>Warsztat-laboratorium oparty na Maszynie Idiosensorycznej jest unikatow\u0105 form\u0105 praktyczno-badawczego kszta\u0142cenia, \u0142\u0105cz\u0105c\u0105:<\/p><ul><li>taniec wsp\u00f3\u0142czesny,<\/li><li>choreografi\u0119,<\/li><li>terapi\u0119 ruchem,<\/li><li>analiz\u0119 ruchu (choreologi\u0119),<\/li><li>neuro- i sensomotoryk\u0119,<\/li><li>performatyk\u0119 niepe\u0142nosprawno\u015bci.<\/li><\/ul><p>Adresowany jest do tancerzy, choreograf\u00f3w, terapeut\u00f3w, pedagog\u00f3w ta\u0144ca i teatru, choreolog\u00f3w oraz badaczy ruchu, kt\u00f3rzy chc\u0105 pracowa\u0107 z osobami z niepe\u0142nosprawno\u015bciami (szczeg\u00f3lnie wzroku, s\u0142uchu i ruchu) w spos\u00f3b profesjonalny, artystyczny i naukowo ugruntowany.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-658881c elementor-widget-mobile__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"658881c\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;zoomIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 11-03-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"213\" height=\"144\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-27-132907.png\" class=\"attachment-large size-large wp-image-10482\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-604d3ec e-con-full e-flex e-con e-child\" data-id=\"604d3ec\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b572124 elementor-widget-mobile__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"b572124\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;zoomIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"194\" height=\"124\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-27-135504.png\" class=\"attachment-large size-large wp-image-10483\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cbdf1d9 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"cbdf1d9\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ol start=\"2\"><li><b> CZYM JEST MASZYNA IDIOSENSORYCZNA<\/b><\/li><\/ol><p>Maszyna Idiosensoryczna to autorskie urz\u0105dzenie kinestetyczno-percepcyjne, kt\u00f3re:<\/p><ul><li>wzmacnia i oporuje ruch,<\/li><li>generuje rytm poprzez napi\u0119cie,<\/li><li>pozwala \u201eczyta\u0107\u201d przestrze\u0144 cia\u0142em,<\/li><li>umo\u017cliwia tancerzom z niepe\u0142nosprawno\u015bci\u0105 wzroku orientacj\u0119 w przestrzeni poprzez dotyk, op\u00f3r i impulsy kinetyczne.<\/li><\/ul><p><b>W PRAKTYCE MASZYNA DZIA\u0141A JAK:<\/b><\/p><ul><li>partner choreograficzny,<\/li><li>narz\u0119dzie rehabilitacyjne,<\/li><li>interfejs sensoryczny,<\/li><li>generator dramaturgii ruchu.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-596dcc1 e-con-full e-flex e-con e-parent\" data-id=\"596dcc1\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-238b83d e-con-full e-flex e-con e-child\" data-id=\"238b83d\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1e6adb5 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"1e6adb5\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ol start=\"3\"><li><b> KONTEKST METODOLOGICZNY \u2013 RUDOLF LABAN I LABORATORIUM<\/b><\/li><\/ol><p>Warsztat wpisuje si\u0119 w tradycj\u0119 labalowskiej analizy ruchu, rozwijaj\u0105c j\u0105 w kierunku pracy z cia\u0142em z niepe\u0142nosprawno\u015bci\u0105.<\/p><p>Odwo\u0142ujemy si\u0119 do:<\/p><ul><li>kategorii Effort (wysi\u0142ku) \u2013 ci\u0119\u017car, czas, przestrze\u0144, przep\u0142yw,<\/li><li>Kinesfery \u2013 osobistej przestrzeni ruchu,<\/li><li>harmonii przestrzennej,<\/li><li>frazowania i rytmu ruchu.<\/li><\/ul><p>Maszyna Idiosensoryczna pozwala te kategorie:<\/p><ul><li>uciele\u015bnia\u0107,<\/li><li>bada\u0107 empirycznie,<\/li><li>do\u015bwiadcza\u0107 somatycznie,<\/li><\/ul><p>a nie tylko analizowa\u0107 teoretycznie.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0aff601 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"0aff601\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;zoomIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"211\" height=\"132\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-27-131232.png\" class=\"attachment-large size-large wp-image-10481\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-854a7f3 e-con-full e-flex e-con e-child\" data-id=\"854a7f3\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8770fff elementor-invisible elementor-widget elementor-widget-video\" data-id=\"8770fff\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;_animation&quot;:&quot;fadeInRight&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 11-03-2024 *\/\n.elementor-widget-video .elementor-widget-container{overflow:hidden;transform:translateZ(0)}.elementor-widget-video .elementor-wrapper{aspect-ratio:var(--video-aspect-ratio)}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{height:100%;width:100%;display:flex;border:none;background-color:#000}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-wrapper{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .elementor-open-inline .elementor-custom-embed-image-overlay{position:absolute;top:0;right:0;bottom:0;left:0;background-size:cover;background-position:50%}.elementor-widget-video .elementor-custom-embed-image-overlay{cursor:pointer;text-align:center}.elementor-widget-video .elementor-custom-embed-image-overlay:hover .elementor-custom-embed-play i{opacity:1}.elementor-widget-video .elementor-custom-embed-image-overlay img{display:block;width:100%;aspect-ratio:var(--video-aspect-ratio);-o-object-fit:cover;object-fit:cover;-o-object-position:center center;object-position:center center}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-custom-embed-image-overlay{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-custom-embed-image-overlay img{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .e-hosted-video .elementor-video{-o-object-fit:cover;object-fit:cover}.e-con-inner>.elementor-widget-video,.e-con>.elementor-widget-video{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"http:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Media1-3.mp4\" controls=\"\" preload=\"metadata\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-57879a8 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"57879a8\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ol start=\"4\"><li><b> CELE WARSZTATU<\/b><\/li><\/ol><p>Uczestnik po zako\u0144czeniu Laboratorium:<\/p><p>\u2714 potrafi prowadzi\u0107 trening ruchowy z osobami z niepe\u0142nosprawno\u015bci\u0105 wzroku i innymi niepe\u0142nosprawno\u015bciami<\/p><p>\u2714 rozumie, jak budowa\u0107 choreografi\u0119 z idiom\u00f3w ruchu, a nie z narzuconych form<\/p><p>\u2714 zna narz\u0119dzia pracy z rytmem, oporem i kinestetyk\u0105<\/p><p>\u2714 potrafi wykorzystywa\u0107 Maszyn\u0119 Idiosensoryczn\u0105 jako narz\u0119dzie terapeutyczne i artystyczne<\/p><p>\u2714 posiada podstawy do prowadzenia bada\u0144 nad ruchem w paradygmacie art-based research<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8a3fc6f e-con-full e-flex e-con e-parent\" data-id=\"8a3fc6f\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-5e76c89 e-con-full e-flex e-con e-child\" data-id=\"5e76c89\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e687935 elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"e687935\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ol start=\"5\"><li style=\"text-align: left;\"><b> MODU\u0141Y WARSZTATOWE<\/b><\/li><\/ol><p style=\"text-align: left;\"><b>MODU\u0141 I \u2013 CIA\u0141O I PERCEPCJA<\/b><\/p><p style=\"text-align: left;\"><b>Praca nad:<\/b><\/p><ul style=\"text-align: left;\"><li>czuciem g\u0142\u0119bokim,<\/li><li>orientacj\u0105 w przestrzeni,<\/li><li><b> KINESTETYK\u0104 I PROPRIOCEPCJ\u0104.<\/b><\/li><\/ul><p style=\"text-align: left;\"><b>\u0106WICZENIA:<\/b><\/p><ul style=\"text-align: left;\"><li>prowadzenie i bycie prowadzonym,<\/li><li>praca w ograniczonej percepcji (symulacje braku wzroku),<\/li><li>ruch w oporze i bez oporu.<\/li><\/ul><p style=\"text-align: left;\"><b>MODU\u0141 II \u2013 MASZYNA JAKO PARTNER RUCHOWY<\/b><\/p><p style=\"text-align: left;\">Uczestnicy pracuj\u0105 indywidualnie i w duetach z Maszyn\u0105:<\/p><ul style=\"text-align: left;\"><li>eksploruj\u0105 tempo, ci\u0119\u017car, impulsy,<\/li><li>ucz\u0105 si\u0119 \u201eczyta\u0107\u201d op\u00f3r jako dramaturgi\u0119,<\/li><li>tworz\u0105 mikrosekwencje choreograficzne.<\/li><\/ul><p style=\"text-align: left;\"><b>MODU\u0141 III \u2013 IDIOM RUCHU I IDIOCHOREOGRAFIA<\/b><\/p><p style=\"text-align: left;\"><b>Praca nad:<\/b><\/p><ul><li style=\"text-align: left;\">wydobywaniem naturalnych wzorc\u00f3w ruchowych,<\/li><li style=\"text-align: left;\">budowaniem idiomat\u00f3w tanecznych,<\/li><li style=\"text-align: left;\">tworzeniem choreografii z r\u00f3\u017cnorodno\u015bci cia\u0142.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7ca02d3 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wp-image-10555\" alt=\"\" srcset=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100709.png 340w, https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100709-300x227.png 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0cf3f9c e-flex e-con-boxed e-con e-parent\" data-id=\"0cf3f9c\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-ccf6908 e-con-full e-flex e-con e-child\" data-id=\"ccf6908\" data-element_type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-c8d741e e-flex e-con-boxed e-con e-child\" data-id=\"c8d741e\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-28d8ab5 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"28d8ab5\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"346\" height=\"192\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100805.png\" class=\"attachment-large size-large wp-image-10556\" alt=\"\" srcset=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100805.png 346w, https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100805-300x166.png 300w\" sizes=\"(max-width: 346px) 100vw, 346px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4f14905 e-flex e-con-boxed e-con e-child\" data-id=\"4f14905\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-72e32b4 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"72e32b4\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"341\" height=\"196\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100814.png\" class=\"attachment-large size-large wp-image-10557\" alt=\"\" srcset=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100814.png 341w, https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-100814-300x172.png 300w\" sizes=\"(max-width: 341px) 100vw, 341px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-139d5f9 e-con-full e-flex e-con e-child\" data-id=\"139d5f9\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3c38c2c elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"3c38c2c\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>MODU\u0141 IV \u2013 RYTM, G\u0141OS, PJM<\/b><\/p><p>Wprowadzenie:<\/p><ul><li>rytmu cia\u0142a,<\/li><li>znak\u00f3w PJM jako \u017ar\u00f3d\u0142a ruchu,<\/li><li>g\u0142osu jako impulsu kinetycznego.<\/li><li>\u00a0<\/li><\/ul><p><b>MODU\u0141 V \u2013 ZASTOSOWANIE TERAPEUTYCZNE I PEDAGOGICZNE<\/b><\/p><p>Jak:<\/p><ul><li>w\u0142\u0105czy\u0107 Maszyn\u0119 w rehabilitacj\u0119,<\/li><li>prowadzi\u0107 bezpieczny trening,<\/li><li>projektowa\u0107 procesy d\u0142ugofalowe.<\/li><\/ul><ol start=\"6\"><li><b> WYMIAR BADAWCZY<\/b><\/li><\/ol><p>Warsztat ma charakter laboratorium badawczego. Uczestnicy ucz\u0105 si\u0119:<\/p><ul><li>dokumentowania ruchu,<\/li><li>obserwacji zmian w jako\u015bci ruchu,<\/li><li>analizy Effort i Space wg Labana,<\/li><li>pracy w modelu art-based research.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2fa9617 e-con-full e-flex e-con e-parent\" data-id=\"2fa9617\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-c658db1 e-con-full e-flex e-con e-child\" data-id=\"c658db1\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5fd5f61 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"5fd5f61\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ol start=\"7\"><li><b> DLA KOGO<\/b><\/li><\/ol><ul><li>tancerze i choreografowie<\/li><li>terapeuci ruchowi<\/li><li>pedagodzy ta\u0144ca i teatru<\/li><li>choreologowie<\/li><li>edukatorzy i badacze sztuki<\/li><\/ul><p>szczeg\u00f3lnie ci, kt\u00f3rzy chc\u0105 tworzy\u0107 inkluzyjn\u0105 scen\u0119 przysz\u0142o\u015bci, w kt\u00f3rej cia\u0142o z niepe\u0142nosprawno\u015bci\u0105 jest \u017ar\u00f3d\u0142em nowej estetyki, a nie wyj\u0105tkiem.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bc75363 e-con-full e-flex e-con e-child\" data-id=\"bc75363\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7ae10ce elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"7ae10ce\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"393\" height=\"218\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101018.png\" class=\"attachment-large size-large wp-image-10558\" alt=\"\" srcset=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101018.png 393w, https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101018-300x166.png 300w\" sizes=\"(max-width: 393px) 100vw, 393px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d226f33 e-con-full e-flex e-con e-child\" data-id=\"d226f33\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1379ec8 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"1379ec8\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"485\" height=\"275\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101010.png\" class=\"attachment-large size-large wp-image-10559\" alt=\"\" srcset=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101010.png 485w, https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101010-300x170.png 300w\" sizes=\"(max-width: 485px) 100vw, 485px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2574cfa e-con-full e-flex e-con e-child\" data-id=\"2574cfa\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-03560f6 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"03560f6\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>WARSZTAT PROWADZENIE:\u00a0 DR JERZY NORBERT GRZEGOREK<\/b><\/p><p>tancerz, choreograf, re\u017cyser, badacz ruchu, terapeuta integracji sensorycznej,\u00a0 pedagog ta\u0144ca i tw\u00f3rca Maszyny Idiosensorycznej<\/p><p>Dr Jerzy Norbert Grzegorek jest artyst\u0105 i badaczem, kt\u00f3rego praktyka tw\u00f3rcza i pedagogiczna od ponad trzech dekad rozwija si\u0119 na styku ta\u0144ca wsp\u00f3\u0142czesnego, teatru ruchu, performansu, technologii oraz rehabilitacji artystycznej os\u00f3b z niepe\u0142nosprawno\u015bciami. Jego dzia\u0142alno\u015b\u0107 koncentruje si\u0119 na poszukiwaniu nowych form cielesnej komunikacji, rytmu i dramaturgii ruchu w cia\u0142ach o niestandardowej percepcji i motoryce.<\/p><p>Jako tw\u00f3rca autorskiej koncepcji Ruchu Rytmicznego oraz Maszyny Idiosensorycznej Grzegorek jest pionierem w obszarze kinestetyczno-percepcyjnych technologii dla ta\u0144ca inkluzyjnego \u2013 narz\u0119dzi, kt\u00f3re umo\u017cliwiaj\u0105 tancerzom z niepe\u0142nosprawno\u015bci\u0105 wzroku, s\u0142uchu i ruchu pe\u0142noprawny udzia\u0142 w profesjonalnym procesie choreograficznym.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fb44016 e-con-full e-flex e-con e-parent\" data-id=\"fb44016\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-0f5486a e-con-full e-flex e-con e-child\" data-id=\"0f5486a\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-cb1d7f8 elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"cb1d7f8\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Dr Jerzy N. Grzegorek posiada wieloletnie do\u015bwiadczenie jako:<\/p><ul><li>wyk\u0142adowca ta\u0144ca, choreografii i teatru ruchu,<\/li><li>prowadz\u0105cy warsztaty w Polsce i za granic\u0105,<\/li><li>autor program\u00f3w edukacyjnych z zakresu ta\u0144ca wsp\u00f3\u0142czesnego i choreologii.<\/li><\/ul><p>Jego praktyka dydaktyczna opiera si\u0119 na:<\/p><ul><li>kiestetyce ta\u0144ca,<\/li><li>analizie ruchu w duchu Rudolfa Labana,<\/li><li>pracy z rytmem, impulsem i napi\u0119ciem,<\/li><li>oraz metodzie idiochoreografii, czyli tworzenia choreografii wy\u0142aniaj\u0105cej si\u0119 z indywidualnej fizyczno\u015bci tancerza.<\/li><\/ul><p>Szczeg\u00f3lne miejsce w jego pedagogice zajmuje praca z osobami z niepe\u0142nosprawno\u015bciami, traktowana nie jako terapia, lecz jako pe\u0142noprawna praktyka artystyczna i badawcza.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f2d6a14 elementor-invisible elementor-widget elementor-widget-image\" data-id=\"f2d6a14\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"259\" height=\"189\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-28-101320.png\" class=\"attachment-large size-large wp-image-10562\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-dbe4848 e-con-full e-flex e-con e-child\" data-id=\"dbe4848\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c62ddf6 elementor-invisible elementor-widget elementor-widget-video\" data-id=\"c62ddf6\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"http:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Media2-1.mp4\" controls=\"\" preload=\"metadata\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0068586 e-con-full e-flex e-con e-child\" data-id=\"0068586\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-723de9a elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"723de9a\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInRight&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Praca z osobami z niepe\u0142nosprawno\u015bciami<\/p><p>Jerzy Norbert Grzegorek jest tw\u00f3rc\u0105 i dyrektorem artystycznym Teatru Ruchu Umownie Ewidentnego (TRUE) oraz wsp\u00f3\u0142tw\u00f3rc\u0105 Laboratorium Idiom\u00f3w Ruchu i Rytmu Tancerza z Niepe\u0142nosprawno\u015bci\u0105 w Szczecinie. W ramach tych struktur rozwija:<\/p><ul><li>d\u0142ugofalowe programy treningowe,<\/li><li>produkcje sceniczne,<\/li><li>projekty badawczo-rozwojowe,<\/li><\/ul><p>w kt\u00f3rych tancerze-aktorzy z niepe\u0142nosprawno\u015bciami s\u0105 nie odbiorcami wsparcia, lecz wsp\u00f3\u0142autorami j\u0119zyka scenicznego.<\/p><p>Jego praca koncentruje si\u0119 na:<\/p><ul><li>osobach z niepe\u0142nosprawno\u015bci\u0105 wzroku,<\/li><li>g\u0142uchych i s\u0142abos\u0142ysz\u0105cych,<\/li><li>osobach poruszaj\u0105cych si\u0119 na w\u00f3zkach,<\/li><li>osobach z niepe\u0142nosprawno\u015bci\u0105 neurologiczn\u0105 i sprz\u0119\u017con\u0105.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-759c4ef e-con-full e-flex e-con e-parent\" data-id=\"759c4ef\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t<div class=\"elementor-element elementor-element-96471bb e-con-full e-flex e-con e-child\" data-id=\"96471bb\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-41c16c9 elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"41c16c9\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInLeft&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><b>TW\u00d3RCZO\u015a\u0106 ARTYSTYCZNA I TRANSMEDIALNO\u015a\u0106<\/b><\/p><p>Jako re\u017cyser i choreograf Jerzy Norbert Grzegorek realizuje spektakle z pogranicza:<\/p><ul><li>teatru ta\u0144ca,<\/li><li>performansu,<\/li><li>instalacji kinetycznej,<\/li><li>sztuki d\u017awi\u0119ku i g\u0142osu.<\/li><\/ul><p>Jego projekty \u2013 takie jak <b>OWSZEM. BYWA\u0141AM I WIDYWA\u0141AM <\/b>\u2013 funkcjonuj\u0105 jako laboratoria estetyki niepe\u0142nosprawno\u015bci, w kt\u00f3rych cia\u0142o, technologia, rytm i g\u0142os tworz\u0105 now\u0105 form\u0119 dramaturgii.<\/p><p><b>MISJA<\/b><\/p><p>Celem pracy dr Jerzego Norberta Grzegorka jest:<\/p><p>stworzenie nowego paradygmatu ta\u0144ca i teatru, w kt\u00f3rym cia\u0142o z niepe\u0142nosprawno\u015bci\u0105 nie jest wyj\u0105tkiem \u2013 lecz \u017ar\u00f3d\u0142em przysz\u0142ej estetyki ruchu.<\/p><p>Jako pedagog i badacz nie szkoli \u201ejak dostosowa\u0107 osoby z niepe\u0142nosprawno\u015bciami do ta\u0144ca\u201d, lecz uczy: jak taniec musi si\u0119 zmieni\u0107, aby pomie\u015bci\u0107 ca\u0142\u0105 r\u00f3\u017cnorodno\u015b\u0107 ludzkich cia\u0142.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-32697bd e-con-full e-flex e-con e-child\" data-id=\"32697bd\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-65d7e45 elementor-widget__width-initial elementor-widget-mobile__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"65d7e45\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;zoomIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"242\" height=\"152\" src=\"https:\/\/teatrtrue.pl\/wp-content\/uploads\/2026\/01\/Zrzut-ekranu-2026-01-26-170150.png\" class=\"attachment-large size-large wp-image-10449\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>MASZYNA IDIOSENSORYCZNA W PRAKTYCE TA\u0143CA, CHOREOGRAFII I TERAPII LABORATORIUM IDIOM\u00d3W RUCHU I RYTMU TANCERZA Z NIEPE\u0141NOSPRAWNO\u015aCI\u0104 1.IDEA LABORATORIUM Warsztat-laboratorium oparty na Maszynie Idiosensorycznej jest unikatow\u0105 form\u0105 praktyczno-badawczego kszta\u0142cenia, \u0142\u0105cz\u0105c\u0105: taniec [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mc_calendar":[],"footnotes":""},"class_list":["post-9432","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/pages\/9432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9432"}],"version-history":[{"count":28,"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/pages\/9432\/revisions"}],"predecessor-version":[{"id":11864,"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=\/wp\/v2\/pages\/9432\/revisions\/11864"}],"wp:attachment":[{"href":"https:\/\/teatrtrue.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}